Terrorbird Media

FREE EP: In Ruins EP via folchen.com
MP3: “In Ruins” & “In Ruins (Baths remix)” via Pitchfork
MP3: “In Ruins (Keepaway remix)” via Stereogum

It hit the webwaves like a virus, quickly spreading its way to the top of the charts on Hype Machine, making its rounds on blogs and creeping into tweets like an excited facial twitch. “In Ruins” is the dystopian feel-good dance track for spring, and signals good things to come on Fol Chen’s sophomore release, Part II: The New December, out in early July. Kárin Tatoyan takes vocal lead on “In Ruins” – whose playful escapism recalls Fol Chen’s earlier hit, “Cable TV” – as an Eastern melody rings out from a vintage Madonna-ish mélange of cutup funk, fuzz bass and tinkling ivories. The song speaks to a bleak landscape, a post-apocalyptic urban warfare, yet our protagonist finds a hope in the beauty of a lover as their face is illuminated by siren lights.

The virus has now mutated into remixes and alternate versions by drum-n-tape newcomer Baths, the woozy chant-funk of Keepaway, the ghostwhisperings of Kárin Tatoyan and the sunken treasure hunter and Fol Chen member Julian Wass. These new strains have been collected, identified and neatly displayed for further study. This collection proves that In Ruins proves to be sexy, deadly, and contagious as ever.

Starting today, the EP will be released for free through Folchen.com and Asthmatic Kitty’s website as part of the recruitment initiative spearheaded by the Subcommittee for Post-Adolescent Indoctrination.

For its second album, Highland Park sextet Fol Chen presents Part II: The New December, songs of malaise and miscommunication set to dark pop and glitch-riddled chamber funk. Since the band’s inception, Fol Chen has remained a mysterious entity – its membership disguised by masks and aliases, its lyrics appearing as transmissions from a fictional world. But just as the on-album narrative has congealed in bits and pieces, the group’s real-life story has grown in tangible ways.

Fol Chen’s wildly eclectic 2009 debut, Part I: John Shade, Your Fortune’s Made, spawned some healthy praise (from NPR, no less), a remix album (featuring No Kids and Junior Vasquez, among others), a BBC session, and a video collaboration with the Laker Girls. It also paved the way for a pair of uniquely inspired covers: Prince’s “The Beautiful Ones” (recorded for Spin) and Pink Floyd’s “In The Flesh” (for Mojo). Fol Chen’s bent, blackened takes on the pop eccentrics of yore provided fresh context for its own kaleidoscopic songs, and The New December shores up the group’s slippery identity further still. This is Fol Chen’s most focused work – as consistent as it is consuming, as enjoyable as it is unusual.

The plot, steeped in a Bowie-esque sense of puckish melodrama, picks up with the malevolent John Shade vanquished. Unfortunately, the struggle alluded to in Part I has left Fol Chen’s world frayed – covered in ash, plagued by acid rain – and its population dazed. The members of Fol Chen, once a ragtag team of insurgents, are now bureaucrats forced to sit back and watch as the cipher they relied upon to defeat Shade mutates into a virus that eats words indiscriminately. Things unravel as The New December progresses, with Fol Chen enlisting a handful of familiar voices – Angus and Aaron of Liars, L.A. chanteuse Kárin Tatoyan, singer-songwriter Simone White – to help tell the tale.

Tour dates and bon mots after the jump.
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