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Divider imageKyle Andrews Helps Set World Record In New Video, US Tour Begins Today

MP3: “Lov3r” via Filter Magazine
MP3 & Stream: “You Always Make Me Smile (Remix!) & more via KyleAndrews.com

Today marks the beginning of Kyle Andrews mania on the web with the debut of his world record breaking video for “You Always Make Me Smile” premiering on the front page of YouTube this morning. With 120,000 balloons and 4000 people, the video sought to set a new Guinness world record for largest water balloon fight.

Kyle Andrews’ new EP, KANGAROO, is out today on Elephant Lady Records. The songwriter has enjoyed a recent abundance of interest and new fans with the placement of his jaunty tune “You Always Make Me Smile” playing an integral part of Holiday Inn’s “Stay You” advertising campaign. Airing heavily on international television and online, there are many different versions of the ad with all of them using “You Always Make Me Smile” as the central theme throughout each commercial. The single (available now) is a taste of the warm, summery pop on his new six-song EP.

Like all of Kyle’s work, KANGAROO is addictively catchy with measured doses of pulsing synths and drum machines, but it belies an endearing homespun sweetness that stands out among DIY songwriters/producers. Recorded entirely in his bedroom, KANGAROO is Andrews’ fifth release following a string of other successful, self-produced full-lengths and EPs. Kyle made his mark in 2006 with his first full-length, Amos in Ohio. NPR syndicated station WXPN dubbed it “instantly memorable…packed with infectious hooks” and Kyle promptly answered the praise the following year with a seven song EP entitled Find Love, Let Go. NPR had high praise for his 2009 release Real Blasty describing it as “…an upbeat album for sad people who just want to dance…Andrews pulls it off by pairing his angst with bright electro-pop rhythms and irresistible hooks.”

Kyle Andrews will hit the road this fall in support of KANGAROO and has shared the stage with The Submarines, The Morning Benders, Josh Rouse and Peter Bjorn and John in the past. His live show is full of energy and not to be missed – a first round of fall dates have been announced and more dates will be revealed soon.

UPCOMING SHOWS

Aug 31 – New York, NY @ Cake Shop
Sept 1 – Baltimore, MD @ Cyclops
Sept 2 – Philadelphia, PA @ Manhattan Room
Sept 3 – Nashville, TN @ Mercy Lounge (sponsored by Lighting 100 WRLT)
Sept 4 – Nashville, TN @ Grimey’s (in-store performance)
Sept 4 – Chattanooga, TN @ JJ’s Bohemia
Sept 8 – Louisville, KY @ TBD
Sept 9 – Bloomington, IN @ 902’s
Sept 10 – Chicago, IL @ Mayne Stage
Sept 11 – Evansville, IN @ Duck Inn
Sept 24 – Asheville, NC @ The Grey Eagle
Oct 1 – Nashville, TN @ Next Big Nashville
Oct 20 – New York, NY @ CMJ

“an addictively catchy EP bursting with synths, drum machines and Kyle’s forgiving vocals, Kangaroo will hook you on your first listen.” Filter Magazine

“A caffeine-riddled energetic blast full of feel-good pop songwriting.” Redefine Magazine

“Kyle Andrews’ most recent release proves that angry isn’t always the answer. The album is six tracks long and combine together to form a genuine pick-me-up.” Stereo Subversion




Divider imageRevolver Celebrates Astralwerks Debut With Exclusive Filter Live Video, Other Exclusive Tracks

Video: “Nevertheless (I’m In Love With You)” via Filter
MP3: “Luke, Mike and John (Demo Version)” via My Old Kentucky Blog
MP3: “Do You Have a Gun (Demo mp3)” via Popmatters

This week, the anticipated stateside import of the French Grammy nominated debut from France’s Revolver was finally released. To celebrate the release week of Music For A While, Revolver have rolled out a handful of new goodies. Filter Magazine premiered the recently recorded video cover of “Nevertheless” by 1930’s pop jazz talebearers The Mills Brothers, while early demo versions of album cuts “Do You Have A Gun?” and “Luke, Mike & John” were also unveiled. The band is preparing for their US debut at the OohLaLA Festival in Los Angeles on October 1st alongside other French acts such as Sebastien Tellier, The Gotan Project, Kavinsky, and more.

Music For A While was recorded in Paris’s Studio Pigalle. Revolver Producer Julien Delfaud (Phoenix, Herman Dune), helped Revolver hone their fantastically eclectic and century-skipping ideas, as well as gave the band the ability to recall the sunshine harmonies of Simon & Garfunkel and the Beach Boys, both of whom the band has always loved. Revolver’s melodies can be traced to 16th century songwriters and 17th century British Baroque composers, as well. Each of these styles defined the popular melodic and harmonic structures of their respective generations, and Revolver offers us a modern take blending each of these pop histories.

Posted by Marcus on August 31st, 2010 in Free Music, On the Web, Out Now, and tagged with , , , , , . | Leave a comment



Divider imageTrumans Water Announces Rare Live Shows; Ripping New Album “O Zeta Zunis” Out This Week On Asthmatic Kitty

MP3s: “We Fish” & “5-7-10 Split” via Stereogum

This week legendary noisy guitar stranglers Trumans Water return to the fold with an amazing new album showing the band hasn’t lost a step in their 7 year hiatus. Their 13th release in their 19 year existence, O Zeta Zunis finds the band as skronkily uncompromising still but the album is very direct and even catchy. To celebrate the new record, Trumans Water has some very rare stateside live engagements. Don’t miss if you are in the area!

Aug 24: Portland, OR – East End
Aug 25: Bellingham, WA – Cabin Tavern
Aug 26: Seattle, WA – Funhouse

Stay tuned for when Asthmatic Kitty re-releases much of their hard-to-find catalog this November.

“It’d be swell if a few of those sockless kids who’ve formed Pavementy, willfully lo-fi bands in the last year or two skronked themselves up in this manner and stopped writing songs about going to the beach.” Drowned In Sound

“None of their original fire and intensity has waned over the years” Line Of Best Fit

Ah, America — she loves a comeback, she does. Even the hint of its possibility tantalizes. Plays so well in Peoria (and elsewhere). Is it part of the USA’s national character to welcome back its own to any notable prominence, to celebrate a reclamation earned through reassertion, revivifying accomplishment — or retrospective reassessment?

Trumans Water never really went away. Scarce in their native land, yes — that, indeed, the veteran American “spazz-rock”/”squiggle-core” group has been in recent years. (Increasingly more obscure as well, relatively unknown to untold pods of younger blog-rockin’ folk — sharp-eared discerners, who might well luv TW were they to know TW — if still deemed “legendary” by those who, a) remember Trumans’ halcyon days in America’s early/mid-’90s “guitar-rock” underground; b) recall the life-altering praise from abroad, with the late great all-time tip-top good-taste-making radio DJ John Peel championing them over international airwaves, and the Melody Maker making this pithy 1993 assessment: “Sonic freaks with a lust for life, Trumans Water make Pavement sound like U2.” Hear, hear? Not bad — but your call.)

For over a dozen years, the Water’s arguably been more of a foreign affair, with releases on European labels, touring almost exclusively “over there” yet consistently recording stateside. But enough with the history (for now). Because the rock o’ Trumans Water lives in the present. Their new album O Zeta Zunis sounds remarkably fresh if also in keeping with a fistful of enduring collective aesthetic TW identities: the ever-active, wildly clawing, rough-toned brace of guitars; the sour-sweet sing-shout screech-croon ‘n’ power-yowl; the explosive rhythms, herking here and jerking there, none too predictable anywhere.

O Zeta Zunis may be Trumans Water’s studio album-proper #13 — or not, if ya count such various full-length Trumans cassette releases as Couch of the Spastics on Chocolate Monk or Cough Forth Such Dilemmas on Union Pole. Whatev. It certainly is their first new album since 2003 and, so importantly, it is coming out in these United States (and elsewhere) on Asthmatic Kitty Records. (The label will offer quality downloads; the band will put out a limited number of vinyl copies on their Justice My Eye/Elevated Loin imprint.) AKR will be their first truly stable domestic label home of the new millennium. (What’s more, Asthmatic Kitty is planning to catch up any interested parties in coming months by digitally re-releasing elusive albums of the Trumans Water discography.).

O Zeta Zunis is a cohesive foursome ripping confidently, a few slowed-up passages helping to accentuate the melodic riff-drive of “Last Time” or the balls-out whizz-bang of “Greased Water,” the twitchy-catchy frolic of “5-7-10 Split” or the rubbery buzz-chug of “You Live Out Loud.” Nice. There’re loping jams and snappy sputter-blasts as well. Essence of Trumans. And, as detailed, O Zeta Zunis brings the Water back to the United States — in some literal ways that’ve not been seen in over a dozen years. (Along with playing Europe, TW plan to do some actual North American touring to support this/other Asthmatic Kitty product.) Yeah, Trumans Water — those friendly fellows are of the world but they’re America’s and they never left so won’t you please welcome them back?

Liner notes after the jump
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Posted by Jay on August 23rd, 2010 in On the Web, Out Now, and tagged with , , , , , . | Leave a comment



Divider imagePac NW Indie-Pop Darlings Starfucker Release “B-Sides” This Week On Badman Recordings

MP3: “Boy Toy (Fake Drugs Remix)” by Starfucker via Filter Mag

“Sharing their name with a punky Belgian girl group resembling the Donnas and one of the raunchiest Rolling Stones songs on Goats Head Soup (which was changed to the title “Star Star”), Starfucker are an indie pop/indie electro band comprised of Sexton Blake’s Josh Hodges, Junkface’s Ryan Bjornstad, and Mr. Fredrick’s Shawn Glassford. After chief songwriter Hodges returned to Portland, OR, following a four-year stint in New York City, he released two Sexton Blake records on Expunged Records with the help of Bjornstad, including Plays the Hits, a breezy but glum lo-fi album of ’80s covers. Looking to convert his musical endeavors into a more lighthearted project, Hodges recruited Glassford and formed a new group with Bjornstad. With notable live performances that featured some instrument swapping, dual drumming, and stage diving, as well as some outlandish costumes, Dylan Magierek’s attention was drawn to their set and he signed the band to Badman Recording Co. Hodges and Magierek took some of their home recordings to the Type Foundry to round out the record with some intricate layering, and in September 2008 the [Starfucker debut] album was released to the public and hailed by critics for its abundance of dance-friendly hooks.” – All Music Guide

Starfucker recorded a limited edition pink 7″ single and two short-run vinyl LP’s on the Badman label. Each piece of vinyl included tracks that were not released digitally. We are now making these five “b-sides” available as a digital only EP entitled B-Sides. The songs were recorded by Josh Hodges and Dylan Magierek (Mark Kozelek, Thao Nguyen & Portland Cello Project, Lovers) in 2008-2009 and includes a cover version of Madonna’s “Burnin’ Up.”

Posted by Jay on August 17th, 2010 in Free Music, Out Now, and tagged with , , , , . | Leave a comment



Divider imageSocial Studies Take Their Kaleidoscopic Pop To The Road, Get The Remix Treatment From Ernest Gonzales

MP3: “The Battle Of Shiloh (Ernest Gonzales Remix)” via RCRD LBL
MP3: “Holler Boys” & “Time Bandit” via RCRD LBL

Social StudiesWind Up Wooden Heart tempers the lines of the angular and experimental with a love of unadulterated pop songwriting, and heightens the arching vocal melodies with dramatic twists and turns. In ten tracks, the band offers us a glimpse into a prophetic future that, upon closer look, is crumbling with nostalgia and regret. The songs mirror the contradictory themes that run through the album with a balance between danceable melodies and unique structures that break out of the “verse/chorus/verse” boundaries.

With consistently catchy melodies, Natalia’s enchanting voice, masterful engineering by Jay Pellicci (Deerhoof, Subtle, Erase Errata), and special guest appearances by members of Bright Eyes and Thee More Shallows, Social Studies have crafted an album that’s equally infectious and innovative. Wind Up Wooden Heart (out now on Antenna Farm) is pop music fully realized for a modern era, and it’s a debut LP that begs to be talked about, sung along to, and played on repeat.

The band will embark on a West Coast tour throughout August and will be doing a full US tour this October. For those that can’t make it to their shows, Texas-based beatmaker Ernest Gonzales (aka Mexicans with Guns) offers a fresh remix of Social Studies’ “Battle of Shiloh” to whet your appetite.

Praise for their new full-length “Wind Up Wooden Heart”

“Wind Up Wooden Heart shows off the band’s way with brainy, unpredictable indie pop. One moment, they sound like Broadcast, if that band deigned to record on Earth instead of their spaceship studio; the next, they recall Cryptacize’s percussion experiments and vocal gymnastics; and every now and then, shades of Fol Chen’s kaleidoscope pop spring up without warning.” All Music Guide

“Rogovin’s Feisty vocals are intoxicating, but the interplay of her retro key riffs with drummer Michael Jirkovsky’s aggressive rhythms is what’s truly magnificent.” The Boston Phoenix

“Packed with anthems that favor broad musical strokes, and the album’s cross-pollination of influences ensure a little something for everyone.” Venus Zine

UPCOMING SHOWS
8.12 Origami Vinyl, Los Angeles CA (6pm)
8.12 6th St. Warehouse, Los Angeles CA
8.13 The Mime, Los Angeles CA w/ Former Ghosts, 60 Watt Kid
8.17 Rotture, Portland OR
8.19 Chop Suey, Seattle WA
8.20 Backspace, Portland OR
8.22 Rock Make Street Fest, San Francisco CA
8.23 The Hub, Sacramento CA




Divider imageProximity One Out Now From Proximal Records, New MP3 Available From Sahy Uhns

MP3: “Fire Music” by Sahy Uhns via LA Weekly
MP3: “A Day At the Carnival” by Dam-Funk via Pitchfork
MP3: “A(nother) Day At the Carnival (Sahy Uhns’ Cosmic Songbird Remix)” via The Fader
MP3: “Proximity One Mega(re)mix” by Sahy Uhns via LA Weekly
MP3: “Off Angle Edges” by Daedelus via LA Times

Proximal Records is a Los Angeles based independent record label with a mission of supporting and promoting vibrant new voices in the local electronic music community. The brain-child of L.A. natives Carl Madison Burgin, better known as Sahy Uhns, and composer/ producer Jeff Elmassian, Proximal provides a home for local artists to connect and collaborate.

Their debut release, Proximity One: Narrative of a City, takes the listener through the musical landscape of Los Angeles as they hear it. With a disregard for popularity and scene, Proximity One juxtaposes established and up-and-coming talent and the result is a cohesive and inspired record. Proximity One: Narrative of a City features L.A. staples such as DaM-FunK and Daedelus, current beat-makers such as Teebs and TOKiMonsta, and Proximal’s very own Sahy Uhns, Benedek, Lawrence Grey, Wake and BearClaw. With vision, talent and a commitment to the city of Los Angeles, Proximal Records will always be a step apart and a step ahead…

Proximity One: A Narrative Of A City
Tracklisting
1. Benedek – Laser Forest
2. Dam-Funk – A Day At The Carnival
3. Sahy Uhns – Fire Music
4. TOKIMONSTA – Cigarette Lust
5. Owen Vallis – Trunk
6. Juj – Creep
7. Lawrence Grey – Peaches for the Baby
8. Wake – ButtaBump
9. Shlohmo – Glue Stick
10. Suzuki 8-Ball – Nine-Wing
11. Teebs – Wind Loop
12. Take – Conversations With Yesterday
13. Deadwaiter & Eli Walks – VI
14. BearClaw – Robotrimpin
15. Denny Denny Breakfast – Sea Water
16. Daedelus – Off Angles Edges
17. Dr. Strangeloop – Strange Utopia
18. [Post-Foetus] – Chasms




Divider imageReporter Announce West Coast Tour; Their Dazzling Debut Time Incredible Out Today On Holocene Music

MP3: “Lab Test (Miracles Club Remix)” via XLR8R
MP3: “Click Shaw” via Get Off the Coast

Among the progenators of Portland, Oregon’s vibrant DIY dance scene, Reporter’s electrifying live show and italo leaning space post-punk/disco have earned them a reputation as one of the cities most promising new acts from both fans and press alike. Their instantly addictive debut album Time Incredible comes out today on Holocene Music. They will be hitting the road on the West Coast in late August/early September.

In a dark room, through a haze induced by fog machines, you observe celestial projections and pulsing lights. An infectious sound floods your brain-space, a driving synth-rock voyage guided by a female voice which commands attention in its come-hither breathiness. You can hardly make out the shadowy figures responsible for this electrifying experience, and much to the chagrin of photogs, you won’t have much luck capturing their live set on camera. However, this disassociation proves blissful: you find yourself dissolving into their sonic atmospherics, dissolving into the packed dance-floor where your body is part of a massive, churning tide.

This transcendent experience is called Reporter. It’s been popping up in warehouses, nightclubs and basements all over Portland, Oregon for the past several years. Now, the tunes which have set countless dance-floors ablaze have been laid to tape in top form, on a dazzling debut full-length entitled Time Incredible.

The sci-fi connotation of the title is apt – it’s clear that Reporter have kicked their time machine into gear and set their sights to the cosmos on this one. It is a remarkably ambitious collection of dance gems, seeped in the saturated hues of fantasy. In these fantastical tunes, a nightclub tête-à-tête is evoked as strongly as an intergalactic exploration. The band recorded the entirety of Time Incredible themselves and in their own studio, and their keen musicianship and recording expertise shines through on this well-polished opus.

Reporter are certainly conscious of the past, employing an arsenal of vintage equipment to create a sound influenced by Italo Disco and French House of previous decades. Simultaneously, though, they are obsessed with the future – the possibility of rising above and beyond the blasé indie rock aesthetic and onto a grand planet of light, movement, and pure energy, where a rock band can be an ecstatic phenomenon.

In this way, Reporter represents the new Portland. This is no longer Elliott Smith’s Portland, the grey, depressive city that still seems to exist in the national psyche. This new, young Portland is a vibrant dance scene forged by a tight-knit community of DIY party-starters.

Consider Reporter not a band, but the explosion of a star in a dreamy far-off galaxy: among the stellar debris you find evidence of dance music and rock music; a great disco DJ alongside a tight pop group; a future manifesto attached to a vintage synthesizer as it’s flung across the sky. This explosion is truly a Time Incredible.

Upcoming Shows
Aug 13: Holocene (album release party), Portland OR
Aug 22: Tectonic Jelly, Eugene OR
Aug 26: The Depot, San Francisco CA
Aug 28: The Troubadour w. Sun Araw, Former Ghosts (FMLY event) LA CA
Aug 31: Soda Bar, San Diego CA
Sept 2: Milk, San Francisco CA
Sept 3: Hoodstock, Oakland CA

Posted by Jay on August 10th, 2010 in Free Music, On Tour, Out Now, and tagged with , , , , . | Leave a comment



Divider imageVisual Artist Jonathan Dueck and Asthmatic Kitty Bring You “IN TRANSIT presents: 16mm”

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MP3: untitled – Denier

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MP3: untitled – Son Lux

IN TRANSIT Presents: 16mm is a series of 20 short, beautiful, color saturated, hand-painted 16mm films created by Canadian artist Jonathan Dueck in collaboration with I Heart Lung, Chad VanGaalen, DENEIR, and Son Lux. These films were created using old 16mm documentaries that Dueck was given when the Calgary Science Centre was purging itself of obsolete media. Part or all of the existing film was scratched/scraped off and layers of ink were painted, stamped, dripped, and splattered over top. The resulting visuals follow in the tradition of abstract/experimental film-makers such as Norman McLaren and Stan Brakhage.

Dueck created five unique films for each of the 4 collaborating artists who in turn reacted to the visuals in a way they felt was musically appropriate.

Funding for this project was made possible with the help of the Canada Council for the Arts and generous donations through Kickstarter.

About Jonathan Dueck:

Since Jonathan Dueck has graduated from the Alberta College of Art and Design in 2001 he has been creating, sharing, and participating in collaborative/interactive art that uses and re-uses ordinary objects, materials, and circumstances to help others to see their world differently.

What started as a practice focused around IN TRANSIT: a portable gallery, which was a gallery with regular programming that existed inside a small red suitcase, quickly expanded into a web-based “school” called the IN TRANSIT Centre for Creative Observation where participants were invited to complete monthly assignments that were regularly posted on the web page.

Since then, IN TRANSIT has presented a performance tour with Berkeley, CA musician Half-Handed Cloud, a two month long tea party performance, a series of “world record” prints, album covers, posters, peep box dioramas, a series of drawings based around TV viewing habits, and now a 16 mm film project.

The common thread in all of Dueck’s work is collaboration. Whether it is collaboration with other artists, record companies, or viewers themselves nearly all of his work has involved other people.

Posted by Jay on August 9th, 2010 in Free Music, Out Now, and tagged with , , , , , , , . | Leave a comment



Divider imageFol Chen Releases The Holograms EP and Announces More Tour Dates

With quite a busy year so far with the recent release of their sophomore album Part II: The New December, Highland Park’s Fol Chen announce tour dates going into the fall and offer up an EP for their “The Holograms” singles with excellent remixes from Teen Daze, Hard Mix, FUR, and Primary 1 which you can download for free HERE via Bandcamp.

The band begins their residency at the Echo LA tonight. They will only be playing full sets as a band on the first and last Mondays in August. The middle three Mondays will be given over to things like a metal band called Viscera playing their set for them, holding live auditions for a new singer (with people who responded to a Craigslist ad), and a night where people come up on stage and record live samples that will end up on the next FC album.

Fol Chen will also be on the East Coast for a handful dates this week with the rising glo-fi/future pop beatmaker Baths. They will also spend a few weeks on the road with dance party instigators !!! and later with The Apples In Stereo. Tour dates and more info after the jump.

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Posted by Jay on August 3rd, 2010 in Free Music, Out Now, and tagged with , , , , , , , , , . | Leave a comment



Divider imageAltered Zones Premieres “Nautilus Cry” by Paul Rosales; Wonder Wheel I LP Out Now

MP3: “Nautilus Cry” via Altered Zones
MP3: “Crimes” via 20 Jazz Funk Greats
MP3: “Changed Faster (railcars ‘Machine Heart’ mix)”
via railcars

From the Pitchfork sister site Altered Zones website… “In the last several years, there’s been an explosion of small-scale DIY music. Altered Zones is a team of 14 music blogs dedicated to exploring these emerging musical worlds, traversing genres from psych and drone to electronic and underground pop. Our mission is to highlight the most notable and adventurous new artists, and to serve as a focal point for the flood of creativity coming from deep within the music underground.”

L.A. college kid Paul A. Rosales slides in nicely to the Altered Zones world, with the site offering up “Nautilus Cry,” the epic closing track from his recently released solo debut Wonder Wheel I. LA based shitgazer Railcars provides a cerebral remix of Rosales’ “Changed Faster,” as well.

For being another college kid in L.A., Paul A. Rosales has created an impressive resume in his time within the city’s scene. Whether brewing his own brand of beats, helping with production for friends Puro Instinct/Pearl Harbor, or getting a little help from his group Wonder Wheel, Rosales has dabbled in lo-fi grooves, noise pop, synth beats and every sub-genre in between. Often drawing comparisons to his mentor R. Stevie Moore, Daniel Johnston and even Ariel Pink, Rosales’ sound has been described as “genre-less yet captivating”.

(Above Image By Katie Tilford)




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