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Divider imageOUT TODAY: Epstein Y El Conjunto “When Man Is Full He Falls Asleep” On Asthmatic Kitty


Click the album art to buy When Man Is Full He Falls Asleep via Asthmatic Kitty

Discography Sampler via XLR8R
MP3s: Gallop & A Lost Animal via My Old Kentucky Blog

“Roberto Lange’s latest album continues nicely along the aural pathway he has set for himself. “A Lost Animal” is indicative of this sound, featuring chattering vinyl samples, fuzzy syncopated synth lines, and complicated rhythms as influenced by hip-hop as they are by South American folk music.” – XLR8R

Today Asthmatic Kitty will be digitally releasing the new album by Epstein Y El Conjunto. Epstein is one of the many talented alter-egos of Roberto Lange, and El Conjunto the willing volunteer band to fill out the Epstein sound. The album’s title, When Man is Full He Falls Asleep, comes from a lyric by Facundo Cabral translated into english from the song: “No soy de aqui, Ni soy de alla”. The song and Facundo’s philosophy serves as inspiration for the album, positioning the musician as conscienscious objector to the succumbing of violence and misery in the world. Rather, a sense of joy and humor are embraced and music is used as a surrogate for words. The physical process of this record is a journey traveled to dusty closets of thrift stores in Crown Heights, to forward thinking record stores in Lynchburg, Virginia. The samples and synthesizers are the medium to complete the story that is a visual and ephemeral representation of the two worlds of hunger and sleep, both important daily routines. The resulting sound is a hazy dreamscape of bass, beats, and gloriously washed-out electronics.

To prepare for this release, we are celebrating 10 years of Epstein music making with the release of Epstein – Completed Mythologies (Back Catalog). The release is made up of his four back catalog titles (with cover art by La Mano Fria). These will be available through all of your fine digital music stores February 28th. This is the first time any of these titles have been available outside of Japan. And in support of this release, Epstein will be touring in Japan in March as part of the Beta Bodega Coalition alongside La Mano Fria.

Equally influenced by weirdo out-pioneer Moondog, Parliament, DJ culture, and Argentine folk-singer Facundo Cabral, this 14-track danceparty kicks off with “Arrival to New York,” an upbeat jam built from samplers and Lange’s woozed-out vocals. A warm, billowing electronic visionquest, the track is a solid set-up for what’s to come.

As When Man is Full He Falls Asleep reaches the end (aka, the point where you’ll want to hit Play again) one of its greatest tracks, “A Lost Animal,” a collaboration with School of Seven Bells, shows its pretty face. Anchored by Yeasayer member Jason Trammell’s live drumming and MPC sampler-built warbles of re-energizing, healing noise, “A Lost Animal,” is a definite highlight in a record of highlights.

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Divider imageOUT TODAY: The Splinters “Kick” On Double Negative Records


Click the album art to purchase Kick via Double Negative Records

WATCH: “Mysterious” video via The Fader
FEATURED: Riotous Grrls at SF Weekly

March, 17th @ Red 7 Austin, TX (Terrorbird/Forcefield SXSW day party) w/ Neon Indian, Matias Aguayo, Real Estate, Oh No Ono, and more.
March, 18th @ TBA Austin, TX (SXSW)
March, 19th @ Club 1808 Austin, TX (SXSW)
March, 20th @ Domy Books Austin, TX (KVRX SXSW day party)
March, 23rd @ Hideaway Lounge El Paso, TX *^
March, 25th @ Trunkspace Phoenix, AX *
March, 26th @ Origami Records in-store Echo Park, CA
March, 26th @ The Smell Los Angeles, CA *#
March, 27th @ Beauty Bar Las Vegas, CA *#
March, 28th @ Bar Pink San Diego, CA *#
March, 30th @ Biko House Santa Barbara, CA *#

*w/ Jeff The Brotherhood
^ w/ The Coathangers
# w/ Ty Segall

“The Splinters mix silliness, sincerity, and sarcasm so much that it can be hard to tell them apart.” – SF Weekly

“Girl-group sounds-meets-90s punk attitude.” – Gorilla Vs. Bear

“They perfectly channel the devil-may-care, DIY, girls-in-the-garage sense.” – The FADER

“Playing a Raincoats-esque brand of shambling post-punk, the four ladies from Oakland rocked a pretty bass-heavy sound that was interspersed with lots of cutely loud yelping.” – Portland Mercury

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Posted by Jay on March 9th, 2010 in Out Now, and tagged with , , , . | Leave a comment



Divider imageFree Music From cars & trains: Listen To “The Roots, The Remix”

cars and trains

ALBUM DOWNLOAD: The Roots, The Remix via Circle Into Square

cars & trains released The Roots, The Leaves in late January, and now he brings our attention to the roots, the remix, a 13-track remix compilation including the likes of Boy In Static, Melodium, Universal Studios Florida, Lullatone, Polyphonic, Ernest Gonzales and several more.

The proper album The Roots, The Leaves is the sophomore effort of Portland, Oregon based multi-instrumentalist cars & trains (Tom Filepp), a more personal and emotive foray than his 2007 debut full-length, Rusty String. Tom deftly mixes out-of-the-box electronics and found sounds seamlessly with a myriad of instruments, woodwinds, banjos, acoustic guitars, strings and glockenspiel, walking a blurry line that makes one wonder where exactly the uncommonly organic drum programming ends and the instruments and lushly layered found sounds begin.

On his first Fake Four Inc. release, Tom does what he is best at, as in previous efforts, vividly creating microscopic ship-in-a-bottle worlds with circular themes that one can imagine crawling into, like a favorite childhood hiding place, while brooding nostalgically on a favorite time or place long since past. His distinctive and thickly layered vocals sit atop soft but steadily pulsing guitars, malfunctioning toys, twangy banjos, crooning woodwinds and dirge-like trumpets, weaving a nimbly produced record that tells a succinct and engaging story.

Lyrically The Roots… is much more vested in storytelling, painting vivid pictures of moss-laden decaying buildings, rusty old railroad tracks, and dusty urban settings, all tinged with hints of nature and melancholy. Drawing on inspiration both from his adopted hometown of Portland and from his native Hudson Valley in New York, Tom builds on reoccuring themes that make the listener feel like they are part of something special and intimate. The ten tracks are more staked in a carefully hewn songwriting sensibility, while focusing to a greater extent on Tom’s Singing and lush vocal harmonies than before.

Many guest artists contribute vocals and a diverse array of instruments to The Roots, The Leaves, including a handful of fellow labelmates on Fake Four Inc. (like Ceschi Ramos, Alexander Chen of Boy In Static), in addition to some Portland, Oregon locals. Carrying on the mantle of previous releases laden with toy instruments, distorted tape samples and banjos, The Roots… sits at a curious intersection between more folk-oriented electronic groups like Tunng and the distinctive Pacific Northwest experimental folk sound of K Records/The Microphones/Mt. Eerie renown.

The Roots, The Leaves is cars & trains’ most realized and expressive effort to date, full of energy and intimacy gleaned from Filepp’s intense, energetic, and intricate live looping show that he has steadily developed and gained notoriety for. From the intricate plucking of The Roots… cyclical opening and closing songs, and everything in between, cars & trains carefully journeys hand in hand with his influences, cajoling them into a world all his own.

cars & trains – i know someone who can’t recognize from cars & trains on Vimeo.




Divider imageBirds & Batteries Plot Tour With Stops At SXSW, Daytrotter; Up To No Good EP Out Now

MP3: Out In the Woods (Woodsarama Remix) via RCRD LBL
MP3: Out In the Woods via Pitchfork
MP3: Sneaky Times via The Fader

March 6 – San Diego, CA at Bar Pink w/ Writer
March 7 – Tucson, AZ at Plush
March 9 – Albuqurque, NM at Burt’s Tiki Lounge
March 10 – Lubbock, TX at Bash’s
March 11 – Fort Worth, TX at Lola’s
March 12 – Dallas, TX at City Tavern
March 14 – Denton, TX at NX35 Festival
March 18 – Austin, T at Beauty Bar w/ The Bay Area Takeover at SXSW
March 22 – Tulsa, OK at The Soundpony Lounge w/ Judgement Day
March 25 – St. Louis, MO at Cicero’s
March 26 – Indianapolis, IN at The Melody Inn
March 27 – Chicago, IL at Ronny’s Bar
March 29 – Rock Island, IL at Daytrotter Sessions
March 30 – Iowa City, IA at The Mill w/ The Cave Singers for the MCMF
April 2 – Colorado Springs, CO at The Rocket Room
April 3 – Santa Fe, NM at Corazon

Combining meticulously produced psych, synth-funk, Americana, aching electro, and unveiling more surprises upon closer listen SF’s Birds & Batteries return with their latest: the spooky, funky Up To No Good EP. Stacked with addicting aching-electro/boogie jams the EP manages to convey a degree of mystery/magic amidst post-modern wreckage, combining the fun of late 70’s freak funk with a detached, studio cool of 80’s r&b.

Still centered around the art of the song, redoubled by meticulous arrangements and rich atmospheres, B&B saw the EP format as an opportunity to dig deeper into one group of sounds, with synth bass, kick drum, percussion and voice at the forefront. The result is more focused than previous efforts, allowing for a unified statement and narrative to emerge as well as a nineteen minute dance party. This fusing of song craft and electronic music feels natural and easy, owing more to pioneering electro-funk than post-punk.

Birds & Batteries’ live show focuses on the more energetic and rocking parts of their repertoire. “As we’ve toured and played more and more shows, we’ve found ourselves choosing set lists from the material that is most enjoyable to play live and that gets people loose.”

They will be on the road this winter/spring to support Up To No Good and previewing songs from their upcoming full-length due in 2010.

“This is some freak-funk, alt-electro right here. Blast it in honkey-tonk dives and haunted houses alike.”
RCRD LBL

“They reminded him of early Brian Eno, which I can also hear in their fine melding of electronic bleats and slow simmering pop. I also pick up on a similarly playful aesthetic that aligns them with groups like Super Furry Animals.”
Pampelmoose

“It’s rare that a band can remind you of Neil Young, Sparklehorse and The Legend of Zelda at the same time, but San Francisco’s left-field electric-folk band, Birds & Batteries traffics in both the nerdy and beautiful.” Williamette Week

“When Neil Young discovered the synthesizer, he made Trans. San Francisco’s Birds & Batteries demonstrate another-dare we say better?-way that combination could have worked.” RollingStone.com

Posted by Jay on March 2nd, 2010 in On Tour, Out Now, and tagged with , , , , , . | Leave a comment



Divider imageOUT NOW: Eprom / Eskmo Split 12″ On Warp

Hendt / Lands and Bones

Stream Hendt / Lands & Bones here.
EPROM mixtape
Eskmo’s exclusive Brainfeeder mix

A taste of San Francisco’s finest, this double-A side 12″ is split between two of the west coast’s most-watched producers. Emerging from the reputably close-knit SF electronic music scene, EPROM and Eskmo are gaining international renown fostered by the likes of Mary Anne Hobbs and Flying Lotus. EPROM’s ‘Hendt’ is a dancefloor monster in his trademark ‘psyphy’ style – a lazer-tinged gangster-lean pulse that speaks to both the codeine-sipping and the all-night raver contingent alike. Eskmo’s ‘Land and Bones’ is a lurching, soulful dubstep clatter rich in lyrical melody and artfully crowned with Swan’s icy vocals; forward for the dancefloor, layered for the headphones – braincandy that moves feet.

Eprom

EPROM hails from San Francisco, and has put his name on the map through his mind-bending live sets, and through a series of forward-thinking releases on both domestic and international labels. His style defines generic categories, but each track is suffused with a unique dancefloor action potential and a deep love of low-frequency soundsystem manipulation. He has played alongside artists like Flying Lotus, The Glitch Mob, Skream, Lazer Sword, Kode9, Mochipet, Rustie, and many others. EPROM has worked with internationally renowned MCs and has slated multiple vinyl releases in the coming year. DJ supporters include Starkey, Rusko, Jakes, The Glitch Mob, Rustie, Megasoid, Zombie Disco Squad, Riton, Basement Jaxx, and BBC Radio One’s Mary Anne Hobbs.

@EPROMbeats
EPROM on Facebook

Eskmo

Brendan Angelides is a San Francisco based electronic music producer who records and performs live as Eskmo. In the past five years he’s released over a dozen singles and EPs while touring throughout North America and Europe. Angelides also runs the Ancestor label, which issued his “Hypercolor” and “Angus Dei” singles in 2009 to positive reviews from numerous magazines, blogs and tastemakers. Ninja Tune recording artist and film composer Amon Tobin hailed his work as “some of the best production I’ve heard in recent times.”

@Eskmowelder
Eskmo on Facebook

Posted by Jay on February 24th, 2010 in Out Now, and tagged with , , , , , , . | Leave a comment



Divider imageOUT TODAY: Lobisomem “Brightest Solids” EP on Tall Corn Music

Brightest Solids EP

Brooklyn via Chicago electronic producer and the man behind Bird & Whale releases EP on Tall Corn Music; LP in Spring engineered by John McEntyre of Tortoise!

MP3: Plasma Is For Lovers [via XLR8R premiere]

Lobisomem – Dhegiha Group from Brad Loving on Vimeo.

Lobisomem makes electronic music. His music, however, does not fall comfortably into the boxes that one normally uses to categorize electronic music. It is neither dance music, nor raw experimental noise. It is instead a hybrid of more subtle influences referencing African, South American, and Jamaican music as well as more native forces such as hip-hop and jazz. Lobisomem’s artistry has also been impacted by his immersion in Chicago’s improvisational music scene. The music on this recording, Lobisomem’s second release “Brightest Solids – EP,” began as laptop compositions, but upon arrival at the studio the music was migrated to tape, manually manipulated and mixed in an entirely analog studio set up, and mastered straight to vinyl lacquer. The results are a unique amalgam of sound and rhythm, digital and analog, precise angular turns and gentle organic sweeps. In Spring 2010, a full-length LP that will also be released on Tall Corn Music.

Lobisomem (a.k.a. Brad Loving) recently traded his long time base of Chicago for Brooklyn. He was born in a small rural town in Virginia, and spent formative years in Oklahoma, Texas, and Massachusetts. More recently he has set his sights further a field with extended stays in Brazil, France, Japan, and Mali. Each of these locations has penetrated Lobisomem’s music informing his musical sensibilities and acumen.

Brad deejays around New York and Chicago regularly and curates the music blog birdandwhale.com. Bird & Whale features carefully crafted DJ mixes from some thirty selectors including many local Chicago luminaries such as John McEntire, Jeff Parker, John Herndon, Dan Bitney (Tortoise), Wayne Montana, Damon Locks (The Eternals), and Rob Sevier (Numero Group). Bird & Whale has gained an international following due to the caliber and breadth of music showcased.

Posted by Jay on February 23rd, 2010 in Out Now, and tagged with , , , . | Leave a comment



Divider imageOUT TODAY: Man/Miracle “The Shape of Things” on Third Culture; Streaming All Week Long At AOL Spinner

The Shape of Things
Click on the album art to stream The Shape of Things this week at AOL Spinner

TOUR DATES
2.24 @ Bottom of the Hill – San Francisco, CA w/ Rogue Wave and Princeton
(Noise Pop)
3.17 @ SXSW – Austin, TX
3.18 @ Bay Area SXSW Takeover / Beauty Bar – Austin, TX
3.24 @ Tin Can Ale House – San Diego, CA
3.25 @ SLO Art Center – San Luis Obispo, CA w/ Titus Andronicus

“Its ten songs form one giddy wave of yelping vocals, skittering Afro-pop guitars, clattering drums, clapping hands, and group hollering. You know that moment in Stop Making Sense where David Byrne and Tina Weymouth start doing this goofy, high-stepping dance in tandem, grinning happily across the stage at each at how unguarded, how caught up in the moment, they feel? Every song on The Shape of Things feels just like that. It’s a distillation of the sheer joy of motion.” eMusic Selects

“”Hot Sprawl” grooves like Akron/Family on its ebbs, but come high tide, it’s (pleasantly) hollering madness. “Fun” will always follow these guys around. And it doesn’t really matter that you can’t understand a word frontman Dylan Travis is saying– the guy’s got a mean set of pipes, and in the surges here, it’s sweet balmy DeVotchka with an occasional Wilderness vibe.” Pitchfork Media

The Shape of Things is an infectious collection of nervy songs recommended especially for fans of Talking Heads, The Feelies, and Clap Your Hands Say Yeah.” The Bay Bridged

Man/Miracle

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Posted by Jay on February 23rd, 2010 in Out Now, and tagged with , , , , , , . | Leave a comment



Divider imageOUT TODAY: Son Lux “Weapons” EP on Anticon

Weapons EP

MP3: “Weapons III (Polyphonic Remix)” via XLR8R Exclusive
MP3: “Weapons V” via LA Record

Classically-trained composer Son Lux (Ryan Lott) has kept busy in the wake of praise for his last album At War With Walls & Mazes, capturing the attention of tastemakers as diverse as NPR, Okayplayer, Pitchfork and composer Nico Muhly. He will release his Weapons EP on anticon. this February while working up his sophomore follow-up. This week, Asthmatic Kitty will release multiple EPs of My Brightest Diamond remixes, one of which is all reworks by Son Lux. Lott also recently spent a good deal of time working on the upcoming These New Puritans album arranging brass and woodwinds.

Much of what gave At War With Walls & Mazes its unique appeal was Lott’s central objective: to create a body of songs that inhabited the pop spectrum whilst ditching binary form (verse-chorus) for something more akin to chant. On record, rhythms and words moved uninhibited around anchoring melodies; live, this freed Lott to reinvent each track during performances, either reorganizing bits solo via piano or arranging the parts for new ensembles and instruments.

Son Lux

In the time since Mazes, Lott has stayed busy composing – among other things – hours of music for dance companies from New York to Paris. But for him, the chant-based concept of the Son Lux debut required further investigation. The Weapons EP is Lott’s self-issued challenge to do just that – to use Mazes standout “Weapons,” whose primary melody haunts various points of that record, as a launch pad for a complete EP of material derived from a single source.

To this end, Lott built three new compositions around the original’s essential kernel and enlisted three trusted collaborators – Anticon artists Alias and Polyphonic, plus Muhly himself – to do the rest. The result is not only six unique reincarnations of “Weapons,” but a fractal work where melody becomes song becomes cycle, with one essence woven throughout.

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Posted by Jay on February 16th, 2010 in Out Now, and tagged with , , , , , , , , . | Leave a comment



Divider imageOUT NOW: Gigi Presents Maintenant On Tomlab

Maintenant
Gigi presents Maintenant; out now on Tomlab

MP3: “No, My Heart Will Go On” (via Pitchfork)
MP3: “Strolling Past The Old Graveyard (ft. Karl Blau)” from (via RCRD LBL)

Gigi is the recording project of Vancouver-based songwriter Nick Krgovich (No Kids, p:ano) and producer/engineer Colin Stewart (Black Mountain, Destroyer.) In the spring of 2005 Stewart acquired two huge vintage plate reverbs and, eager to use them in a way that befit their history, he asked Krgovich to come up with a couple songs in the vein of classic Phil Spector/Brill Building pop hits and invited a large group of musician friends into the Hive Studios to record the songs live-off-the-floor. The results of that night were amazing, inspiring a string of recording sessions that took place over the following 3 years, collected here on Gigi’s debut album Maintenant.

Capturing the spirit of the pop music that flooded the hit parade in the early 60’s is a tall order, and the songs on Maintenant decidedly develop a world and language of its own. With a reverent eye on the past and a deep respect for the airtight songsmithery of artists like Ellie Greenwich, Jeff Barry and Shadow Morton (among countless others), the songs aren’t content to be throwback-y pastiches or polka-dotted retro workouts but rather stand as attempts at working within a specific and incredibly rich tradition of pop music production. There is something deeply satisfying about bringing together a large group of singers and musicians, cramming them into the studio, running through a song a couple times and then hitting “record”. The shape of the songs forming on the fly and being coloured by the entire group, the intent and heart of the song crystallizing as the tape rolls.

Gigi

By the same token, the charming flubs and missed cues swirling in a dense cloud of reverb revealing sublime harmonies, soaring brass, and all the bells and whistles one might expect from a Krgovich/Stewart helmed project.

In addition to Stewart’s engineering and production credits on albums by Black Mountain, Cave Singers and Destroyer, as well as, Krgovich’s other groups NO KIDS and P:ANO, GIGI has given the pair an opportunity to unabashedly profess their love of pop music in the most direct way conceivable, and this could not have been accomplished without the talents of the many players and singers that graciously helped out along the way.

With singing contributions from artists such as Owen Pallett (Final Fantasy), Mirah, Zac Pennington of Parenthetical Girls, Katie Eastburn of Young People, Rose Melberg and Karl Blau, the character studies in the songs are voiced from wildly distinct positions giving the narratives of lovesick loneliness, solitary walks around the neighbourhood at twilight, and friday nights at home with parents watching television in the front room, just that much more poignancy. In the end, what began as a humble experiment four years ago has ballooned into a pop extravaganza that will sit just as comfortably next to your Back To Mono box set as it will your rotary phone, waiting to ring.

“Heart-melting stuff.” – Fluxblog

“”No, My Heart Will Go On” captures that particular aesthetic breezily, building from an a cappella intro into a full Lego wall of sound.” – Pitchfork Media

“Pop like they did back in the Phil Spector days.” – Stereogum




Divider imageOUT NOW: Ernest Gonzales Presents Been Meaning To Tell You On FoF Music

Been Meaning To Tell You

The Friends of Friends label ventures into the world of Exponential Records boss Ernest Gonzales with a full-length album and art project that speaks louder than the music alone. Been Meaning to Tell You hopes to be more than merely a foray into the LP format for the label and Gonzales’s second album but rather a glimpse into eyes and ears of EG and his friends…

Been Meaning To Tell You is an album of raw emotion interpreted into sound and stands as a testament to Ernest’s wife, Devyn. From the unlikely joy of wintry bells speed-skating alongside beatboxing (“Dancing In the Snow”) to a bleeps-and-blips shuffle (“Falling Asleep to the Glow of the Television”), Gonzales’ musical vocabulary is right on, while psychedelic riffs and acoustic guitars alike haunt the album’s thirteen tracks; the songs are all linked by a well of innovative sincerity. His unique sound has received accolades from places like Pitchfork, XLR8R, RCRD LBL and he has remixed artists such as Sunny Day in Glasgow, AM Architect, Daedelus and others.

ErnestGonzales-photo

The album wouldn’t be a Friends of Friends project if it weren’t something special so EG and FoF invited a over 30 people to the mix! The final collaboration includes 16 tracks from the likes of Daedelus, CYNE, Faunts, Yppah, matthewdavid, & Copy and is accompanied by a full-color art book featuring original works from 14 visual artists. The book will be available in physical form from FoF Music as well as in the digital bundle in all formats (as a .pdf) including as a download with the 180g white vinyl released by Tall Corn Music. Preview the art book here.

On top of all the amazing contributions from friends, the Been Meaning to Tell You posse has created a website to house these creations and more. The website, www.beenmeaningtotellyou.com, tells all about the album and includes gorgeous previews of the book’s artwork, downloads, and all sorts of interactive shenanigans to entertain you while you bliss out to the music and swoon over the art.

Been Meaning to Tell You, the covers/remix album and art book IS OUT NOW on FoF Music and in vinyl format by Tall Corn Music.

FoF Music set to take OVER Los Angeles:
2/17- Low End Theory (FoF release party!) @ The Airliner
w/ Ernest Gonzales, Shlohmo, Gaslamp Killer, Daddy Kev, DJ Nobody and more…

Album track list after the jump.

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