Comprised of Stefanie Hodapp (vocals, synthesizer), Matthew Allen (vocals, guitar, bass, synthesizer, drum programming), Giovanni Betteo (bass, guitar, synthesizer, drum programming) and Jordan Silbert (drums), Young Prisms have gone through an evolution of tough love and resilient perseverance. Betteo and Allen first started playing music together in middle school, eventually leading to the first iteration of Young Prisms in 2009, and the release of a self-titled EP on esteemed indie tastemaker Mexican Summer followed by two full lengths (2011’s Friends For Now and 2012’s In Between) on Kanine Records. Coming of age during a time where the band’s blend of introspective shoegaze and gauze-laden guitar earned them tours with bands like the Radio Dept, Dum DumvGirls, A Place to Bury Strangers and Moon Duo, Young Prisms never quite reached the same heights of commercial success afforded to some of their peers. In between, life happened: Hodapp and Betteo experienced the highs and lows of a romantic relationship, complete with raising a child together, and Silbert moved across the country from San Francisco to New York, where he currently resides. The band never officially broke up, but took some much-needed space that would make possible their eventual return that, when the timing was right, proved more essential than ever before.
Shoegaze itself has gone through its own sort of rebirth in the past decade, with a new generation finding inspiration through the heavy reverb and all-encompassing emotive textures that present a lens left-field of emo (which has seen a similar resurgence in recent years) that remains both engaging and poignantly affective. It became clear the music they made stretched further than the course they’d assumed their band had run and with this renewed outlook were able to reimagine the impact of their trajectory. From a wiser place the band reset those expectations with the romance of possibility, and entered the studio for the first time in nearly a decade.
Produced by Shaun Durkan [Weekend, Soft Kill], Drifter finds steadiness in the embrace of uncertainty, where Young Prisms explore the tension and release that comes with bringing your head down from the clouds to make sense of the tangible entanglements that make up everyday existence.
